What
makes a value Jewish? How can Judaism claim what many of us value, Jewish or
not? I shift in my chair. Face Lev. This is another moment in that Starbuck’s
in Winchester when we met. In front of me, a display of red and white mugs,
wrapped with red bows. Outside, the white lights of Christmas. Lev gives me a
knowing smile. “So, Judaism gives us this, these values and it (Judaism)
includes anybody who has these values.”
So
because I am Jewish, exploring values such as my love of learning or my
commitment caring for others, those less fortunate or those who are sick, in a
Jewish context, those values become Jewish. Is that what Lev is saying?
“Yes,”
he says.
And
here I am—it seems—exploring a constant theme in my life and my work: Jewish
identity. When I began my writing life as a fiction writer, none of my
characters was Jewish, and many of my stories lacked an authenticity, something
intangible that shone through certain characters. I, the writer, was wishy-washy,
refusing to declare an essence. Was that character Jewish? I, the character and
the reader needed to know. But in real life, I could pass, and I did, sometimes
declaring I was Jewish, sometimes not. I hid behind a wreath on my door, a Christmas
tree in my living room. The only Jews in our rural New Hampshire town where I
was raising my family, I truly believed I could live inside the landscape of a
Currier and Ives print. Walking into woods behind our house with my husband and
my sons, we would choose a tree, chop it down, drag it home through snow.
Those
romantic images of country life have an underside. When I began teaching language
arts to fifth through eighth graders in my town, the two most hurled insults on
the playground were the N word and Jew. I denounced both, told my class I was
Jewish. A sixth grade boy brought me a book: The Protocols of the Elders of Zion. Published in 1902, The Protocols is a anti-Semitic rant, purporting
to describe a Jewish plan for global domination. It is a forgery. That same
sixth grader asked to see my horns. I’d thought such myths associating Jews
with the devil had died out with the middle ages, but he year was 1972. I
taught tolerance. At home, I told myself, I could do both, turn on the lights
of my Christmas tree and light my Hanukkah menorah. My children were wiser.
“Mom, it’s too confusing,” Richard my oldest son said. “Can’t we just celebrate
Hanukkah.”
And
we did.
As
the years passed, I became more and more visibly Jewish which meant for me, studying
Torah, especially the women of the Hebrew Bible. I read and I read, diving down
into the wealth of Jewish learning. I brought what was deep inside of me to the
surface, memories of cooking with my grandmother as she prepared shabbos dinner, then circled her thick
fingers over the candle flames before blessing the shabbos candles. I learned the prayer, moved my own fingers in a
circle, and gathering in goodness and light, I blessed the candles inside my
grandmother’s brass candlesticks.
So,
is Jewish identity a value I can pass on? Although I’d like to do just that, I
can’t. Each of us has our own journey toward that philosophic search for self.
What I can pass on is a desire to know and to learn. A wealth of Jewish
learning trails behind us. Only by knowing where we came from will we learn who
we are.
Judaism
is a religion of dialogue. I invite your comments. Let’s talk.
Hi, Sandell --
ReplyDeleteI'm following your journey with great interest, as mine has gone in the other direction. All of my fiction has been based on Jewish themes, and I could not have written much meaningful non-fiction without incorporating my struggles with Judaism. Earlier this year my web site analyzed some of that fiction and explored some of the factors that kept me from writing it as memoir. My best effort is in several parts, beginning as http://www.memoir-guide.com/?p=130
I look forward to more of your journey.
Gene, I read the piece with great interest. I felt as if I was reading memoir, not fiction. Was I?
ReplyDeleteThe posts that followed the story explained in great detail (in nine installments, in fact, more than five thousand words) the origins of all the elements of the story. One of my favorite observations about memoir is that it should all have a disclaimer: "Based on a true story." This story is the result of the reorganization of many actual experiences, dragged together from disparate times and places. Each separate moment described in the story comes from my memory, but events did not unfold as they appear in the narrative.
DeleteI love that disclaimer-- "based on a true story." Perhaps, a difference between fiction and memoir is that writers of memoir adhere or try to adhere to that narrative of events unfolding in time-- although, we often compress time. It's all so very elusive. And I often joke that I'm writing fiction, and of course, in a way, I am.
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